ARTIST STATEMENT
My work is about light and reflectance, auras, color or lack of it, form, figure and movement in two- and three-dimensions. I experiment with disparate clay, materials and art media processes.
I observe and replicate surfaces and textures. The application of media—color, chalk, graphite—and removal of layers to see what remains is like uncovering treasures in the earth. I love the feel of moving graphite or charcoal or soft color pastels across surfaces. I create scientific illustrations of plants, and abstract renderings revealing the energy of living matter. The transition from living organism to dried, shriveled leaf or petal intrigues me.
A three-part plaster mould, for slip casting the Cocoon series was made from a solid clay form. Before firing, six layers of complementary color are applied and rubbed away to reveal the color interaction and vibration.
Putting my hands into clay connects me to my love of three-dimensional surfaces and the earth. Seeing the Chinese Terracotta Army exhibition (Atlanta High Museum) heightened my interest in clay figural forms. The fragility of fired clay armor opposes the protective function of the utilitarian object worn during conflict. We protect and discover our authentic selves, as we integrate issues dictated by family, media and culture. Each unique, moulded clay form in the “I should” series is covered with found objects, handmade and moulded objects of favorite items.
The most recent shift in approach and outcome is occuring as I start to understand and embrace the importance of spontaneity in my work.